Tag Archives: 11. jahrhundert

Wie der Teppich von Bayeux auch heute noch die Geschichte von Wilhelm dem Eroberer erzählt

The Animated Bayeux Tapestry

The Animated Bayeux Tapestry was created as a student project while at Goldsmiths College. Just as the historic original embroidary does, the animation depicts the lead up to to the Norman Invasion of Britain in 1066. Starts about halfway through the original work at the appearence of Halley’s Comet and concludes at the Battle of Hastings. Marc Sylvan redid the soundtrack to include orignal music and sound effects (2009-09-21).

Animation by David Newton; Music and sound design by Marc Sylvan; http://potionpictures.co.uk/ (2013-02-09).

BBC News: Bayeux tapestry panel nears completion. Members of a small community in Alderney are completing the final panels of the Bayeux Tapestry  (2013-02-09).

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Versteckt in Sondersammlungen und Archiven: Monster des 10. Jahrhunderts

Belief in the existence of monstrous races of human beings was central to medieval thinking, although almost everything about them was open to debate and discussion.  The only characteristic universally agreed upon was that they were always to be found far away, beyond the borders of the world as it was then known.  Almost as common were references to the physical deformities of the monstrous races: there were gigantic races and tiny races, those with extremities misshapen, missing, enlarged, or multiplied, and every variety of human/animal hybrid.

Sarah J. Biggs: Monsters and Marvels in the Beowulf Manuscript, in: Medieval and Earlier Manuscripts Blog, 2013-03-06.

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Miniatur eines Vertreters der langohrigen Panotii, aus den Marvels of the East, England, Ende 10. Jh., British Library, Cotton MS Vitellius A XV, f. 104r.

The panotii were so timid that they would flee immediately upon seeing a stranger, ‘so swiftly one might think that they flew.’