Weibliche Meisterschaft am “Bauhaus”

Even so, all three women ended up working in areas that the male-dominated design establishment did not deem to be as important as, say, architecture or industrial design, partly because they were seen as female preserves. Fewer books and exhibitions have since been devoted to them than to other disciplines. And even the most successful Bauhaus textile graduates, including Anni Albers, Gunta Stölzl and Koch-Otte, have featured less prominently in histories of the school than their male counterparts, who studied “weightier” subjects, have done.

Alice Rawsthorne: Female Pioneers of the Bauhaus, in: nytimes.com, 2013-03-22.

Illustrationen: Denni’s Pinterest-Website “Bauhaus”

Werbeanzeige des Bauhauses in der Weltbühne vom 28. April 1925.

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